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Blog Tour: Anaerfell by Joshua Robertson and J.C. Boyd


Today we have two visitors, Joshua Robertson and J.C. Boyd, co-authors of the book, Anaerfell, which is part of the Thrice Nine Legends Saga.

Joshua Robertson was born in Kingman, Kansas on May 23, 1984. A graduate of Norwich High School, Robertson attended Wichita State University where he received his Masters in Social Work with minors in Psychology and Sociology. His bestselling novel, Melkorka, the first in The Kaelandur Series, was released in 2015. Known most for his Thrice Nine Legends Saga, Robertson enjoys an ever-expanding and extremely loyal following of readers. He counts R.A. Salvatore and J.R.R. Tolkien among his literary influences.

Connect with Joshua


J.C. Boyd lives in the Midwest with his wife and two dogs. He recently earned his MA in English Literature and is working on his debut novel for his own fantasy world. Despite growing up with Dungeons & Dragons, Lord of the Rings, and a collection of both Dragonlance and Forgotten Realms novels, J.C. has an abiding love of classics and spends his free time reading anything he can get his hands on.

Connect with J.C.

Crimson Edge Author Page

About the Book

Drast, cunning but reckless, is on the hunt for admiration. Tyran, calculating but tactless, is in search of affection. Bound by a friendship thicker than blood, the two brothers have been hardened by their father’s ambitions. Drast and Tyran are forced to set aside their own hopes and dreams during their struggle to fulfill their father’s desire for immortality. Now, the two will face skin-switchers and dragons, ultimately leading to a final clash with Wolos, God of the Dead.

Get it today on Amazon!


Keep reading for an excerpt:

The room still whirled from last night. He tried to close his eyes to keep his stomach from doing the same, but closing his eyes actually made it worse. Drast was somewhat surprised that the drink was still affecting him like this. He had been having more than his fill for—he did not know how long. How long ago did Tyran leave? His mind was too foggy to remember. And Walstan was gone, too.

Vaguely, Drast saw that the sky was just turning blue with the rising sun. At least, he was fairly certain it was sunrise. None of the hues of sunset had begun to color the sky.

“Ser Drast?”

He turned his head to the entrance into his chambers and pulled himself more upright to lean against the nightstand beside his bed. One of the serving women stood just inside of his room. “What?”

“The Arkhon wishes to speak with you.”

He was not certain what string of curses came from his lips, but the maid blanched and her face grew pink, almost to the color of her hair. The room swirled again while she spoke.

“What?” he asked again.

“I said, Ser Drast, the Arkhon instructed me to remain with you until you came to meet with him.” Her voice quivered.

She was right to fear him. Her voice was fuzzy, just like everything. But, he knew he had not been particularly kind to any of the servants of late. He had managed to avoid his father by effectively frightening the servants. Their fear, combined with late nights, ale, and sleeping until the sun set, had allowed him to avoid talking with anyone who did not enjoy a mug or two.

A few of the servants had initially joined him in drinking. He loosely recalled this maid among them. Ura? Mura? Lura?

“Kura,” he finally muttered. He had been a little too handsy and she had since avoided him like—he could not clearly comprise a simile. Like. Like? Like the moon avoided the sun? Good enough.

“Yes, Kura,” she murmured.

Drast spat at the chamber pot. He was fairly certain he missed. “Well, come on in, Kura.” He belched. “I know how we can pass the time.”


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Weekly Fantasy Fix: Death in Fantasy Stories


Valar morghulis — all men must die. Very rarely do we ever read a story where the mortality of the characters does not concern the specific piece of art or literature being shared. Even in children’s books and movies, death often can play a central role. I think this awareness of our own mortality is something that speaks to many readers while providing a believable dilemma for any given story. It bespeaks to an inescapable truth that we all will die, and offers the question as to what that means to us. Is the death worthy? Does it need to be? And what choices do we have between our first breath and our last?

This is really the mentality many fantasy writers grasp during the process of telling their story, right? The decisions that the characters make in the course of their fictional lives defines them and their legacy, whether you actually kill the character in the book or not. BUT, when you do choose to kill any character (from the significant to the mundane), is it done to highlight the character and choices they made?

See, I get frustrated when fantasy stories include easy rescues for the heroes in order to keep the plot moving forward. This is one of the reasons I like Martin’s Game of Thrones; he simply isn’t afraid to eliminate a character, and he will always find a way to carry on with life (aka, the story). The threat of death is real in his stories, and even heroes can die. This realism makes readers think about issues like death and about how unpredictable life can be. This is a central theme that resonates with me. What themes will resonate with your readers?

As writers, we must understand death is a subject that makes people uncomfortable, and although our stories will tell of death, it should be done with purpose. People have emotional reactions to fictional character deaths. Some come to fiction to escape the concerns of their everyday life, but this is a certain avenue–especially in fantasy–that can rarely be escaped. And, when confronted with the sudden death of a beloved character, viewers and readers are jarred into dealing with the uncertainty of their own life.

How will you approach this topic, and what message will you tell?

Joshua Robertson, CEO

Crimson Edge Press, LLC


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